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• I created this training as a solution to a personal challenge.
• For the first time ever, I’ve started working with a junior copywriter on a project.
• I actually modeled the relationship based on how best-selling fiction author (and former copywriter) James Patterson works with coauthors on many of his projects… I do initial research and come up with the Big Idea… I outline and structure the promo, based on my initial research… I hand off my prep work to the junior writer… They write the first draft of the copy, following my outline… And I come back in the end to add my voice, and do any other edits… Here was my problem — my challenge… Most of what makes a really great promotion is the THINKING that happens before a single word of copy is written… So how could I, as the senior copywriter on the project, convey my thinking about EVERYTHING involved to the junior writer?
• Not just the Big Idea and outline… What you ALWAYS need to know about the market, the audience, and the individual prospect before you write a word of copy… Those critical details you need to know about the product and offer that should go into every piece of copy — and that, if presented in the right way, can totally fan the flames of desire in your prospect… All the questions you need to ask about how the campaign is structured, how prospects will see your copy, and all the other copy needs that — when you’re aware of them — can be used to PRE-suade your prospects to be more receptive to your selling messages… And that’s all BEFORE you even start to flesh out your big idea and develop your selling narrative.
• YES, my sentence-by-sentence writing ability, perspective on structuring promos, and all that jazz is valuable.