Scotoma – Claus Levin

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Summary

• A new system of sequencing triad arpeggios Sequencing triad arpeggios has always been a special challenge on the guitar.

• This challenge does not exist for a piano or a saxophone player, but only for players of four or six string instruments.

• The Scotoma system of sequencing arpeggios completely annihilates this apparent problem for the guitar player.

• The solution This system introduces a new way of laying out the notes of any arpeggio on the fretboard and provides specific instructions on what techniques to use within these shapes.

• The shapes are so flexible that the same sequence can often be played in more than one way and they provide a way to play the sequences at extreme levels of speed.

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